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        <p>Frauen aus Osteuropa, die den Holocaust überlebten, haben das jahrzehntelange Schweigen gebrochen. Auf dem Album &#34;Silent Tears: The Last Yiddish Tango&#34; erzählen sie ihre Geschichten. Sie sprechen von Folter, Verlust von Kindern und sexuellem Missbrauch. Es sind ergreifende, vertonte Gedichte, die Einblick in ihr Inneres gewähren. Gewählt haben sie dafür den Tango. In Polen entwickelte sich im Tango vor dem Zweiten Weltkrieg eine eigene Stilrichtung mit Elementen aus Klezmer- und Roma-Musik. Eingespielt wurde die Musik von dem kanadischen Kammerorchester Payadora Tango Ensemble. „Silent Tears ist Mahnung und Hoffnung zugleich und ein beeindruckendes Zeugnis jüdischer Kultur sowie deutscher Vergangenheit und Schuld.“ (Bernhard Hanneken, Künstlerischer Leiter)</p>\n
        <p>Photo: Peter Yuan</p>
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        <p>The outstanding Silent Tears: The Last Yiddish Tango sets to music poetry, testimonies and writings from women who suffered and survived the horrors of the Holocaust. <br>Dr. Paula David, a social worker at a Toronto Jewish care home launched a poetry programme for survivors to help process the trauma caused by such brutalities as violence of every degree, medical experimentation and forcible sterilisation. One example gives a measure. One work based on a Polish Shoah survivor, Molly Applebaum’s memoir, Buried Words tells how, as a child, she was buried underground on a farm in Dąbrowa in a box with only a small hole to breathe through. ‘Silent Tears is both a warning and a hope, and it is an impressive testimony to Jewish culture as well as to the German past and guilt.’ - The jury statement for this well-deserved RUTH award.</p>\n
        <p>Photo: Peter Yuan</p>
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Silent Tears: Last Yiddish Tango

Silent Tears: Last Yiddish Tango

Silent Tears: Last Yiddish Tango The outstanding Silent Tears: The Last Yiddish Tango sets to music poetry, testimonies and writings from women who suffered and survived the horrors of the Holocaust.
Dr. Paula David, a social worker at a Toronto Jewish care home launched a poetry programme for survivors to help process the trauma caused by such brutalities as violence of every degree, medical experimentation and forcible sterilisation. One example gives a measure. One work based on a Polish Shoah survivor, Molly Applebaum’s memoir, Buried Words tells how, as a child, she was buried underground on a farm in Dąbrowa in a box with only a small hole to breathe through. ‘Silent Tears is both a warning and a hope, and it is an impressive testimony to Jewish culture as well as to the German past and guilt.’ - The jury statement for this well-deserved RUTH award.

Photo: Peter Yuan